Some books are bad. Some books are very bad. And some books are so bad that they take the concept of "terrible" to such deplorably base lows that it is almost avant garde
. That is how bad CRIMSON SHADOWS was: bad enough that it ought to be showcased in an exhibit as a symbol of existential despair and intellectual ennui.
I've been working my way through the Crimson series since April of last year. CRIMSON KISS
was good enough that I bought the entire series immediately. "Finally!" I thought. "A vampire series that isn't afraid to be dark! Complex and interesting characters and relationships, a heroine who wants to kill the hero in the name of revenge, and a 'love interest' who is genuinely dark and terrifying and seems utterly incapable of being redeemed."
Doesn't that sound awesome? I thought so too. Hence the four star rating and foolish optimism.
The second book, CRIMSON NIGHT
, was where I began to wonder if I had made a terrible mistake. Simon Baldevar, the vampire antihero from the first book, was pretty solidly established as an abusive, sociopathic freak of nature whose good looks were his only redeeming characteristic. What he did to the heroine was awful (what didn't
he do to the heroine? Poor Meghann). It seemed like Baker was setting the stage for a love-hate relationship of epic proportions borne of revenge and reluctant sexual attraction, because Simon was so obviously a villain. Instead, she set about ret-conning everything that had happened in the previous book, painting Meghann's abuse in a rosy light, and actively attempting to make Simon into a romantic hero, replete with candlelight and roses. Oh, and the sex? The sex was weird. Let's just say that it involves blood, and not in an "Oh! I bit you during intercourse! I'm a vampire! I find that sexy!" way.
Since the book ended with them having children, I figured that those children were probably going to come into play in CRIMSON SHADOWS. Vampires aren't supposed to have children, but Simon is good at alchemy and managed to magic Meghann into being fertile for vampy offspring. For some reason, one of the children is human (but psychic) and the other child is vampiric (and deformed). That could be interesting, I thought. Misguidedly. Naively. Innocently.
***WARNING: SPOILERS AND DESCRIPTIONS OF GRAPHIC CONTENT***
Reading this book put me into such a weird mood, because while it was utterly bad and ruined what started out as such a strong series for me, I couldn't help but applaud the author for her give-no-f*cks attitude. Trisha Baker obviously writes whatever she wants, and on one level, I have to respect that. This book was over-the-top in a way that most books stopped being over the top in the mid-80s. It was a throwback to an era where the sex was gratuitous and awful, the heroines were infuriating and foot-stampy, and the heroes were psychotic d-bags who equated murder with courtship.
On the other hand, what the actual hell did I just read? Some of you have been following my status updates for this book and have seen examples of the sex scenes included in CRIMSON SHADOWS. My 'favorite' was this scene where Simon teabags Meghann's bloody neck before having her give him a blowjob. Ew.
Speaking of EW, Mikal. Mikal is a piece of work. He is the vampiric twin of Meghann and Simon and does some of the most heinous things I've seen a character do in a romance novel. He rapes someone to death when he is still just a child (and of course, his character is gay and his father says how disgusting this is). He rapes and kills an old lady. He tricks his sister into sleeping with him, and then later rapes and beats her and his mother (even shouting "I never got to breast feed!" before attacking her in the boob with his fangs, because that just happened).
I also hated Jimmy by the end of this book, too. Jimmy is still hanging around Maggie, even though she's back with Simon. He slut-shames her and insults her and makes her feel bad about being with a serial killer vampire (which...okay, I had mixed feelings about that - because girl, please, have some pride. He hits you and threatens you and treats you like a child - why are you still with him?). After Meghann makes it pretty clear that they're never going to happen, he decides that he's going to go after her daughter, Ellie, instead. Ellie, who is human and seventeen. Ellie, who he raised as a daughter. Jimmy looks thirty and has been a vampire for a lot longer than that. This was so creepy to me. I mean, how do you go from, "I'm your daddy" to "I'm your daddy
"? (Please don't answer this. It was a rhetorical question. I don't want to know.)
Throw in a bunch of special snowflake action, additional magical powers that manifest when convenient to the plot, surprise incest, vilification of gay characters, gratuitous gore, and a bunch of stupid sexist a-holes and spineless heroines, and you get the book equivalent of a middle finger. By the time I reached the end, I was ready to flip this book the bird right on back. There's just one book left in this series and, yes, I own it...but now I'm a little afraid to pick it up.
1 to 1.5 out of 5 stars