Reading GLASS HOUSES is a lot like watching a horror movie. The main character is an idiot, and all plot development in the story line requires that you suspend your disbelief about said idiocy. What makes it hard, though, is that Claire Danvers is branded as a "genius." She's sixteen - "sixteen and a half," she'll be quick to tell you - and yet, got accepted to Harvard, MIT, Yale, and all these other great schools, but her parents don't want her to be far from the house (dafuq), so they send her to a school that's a cross between a party school and a community college (I repeat, dafuq), in the middle of Morganville, Texas. "You can transfer, later," is the argument.
Claire immediately cheeses off one the "popular" girls, named Monica, who is basically a cross between Joffrey from Game of Thrones and Regina from Mean Girls. She's one of those "mean girls" who hangs out with a clique of her own (Claire calls them the Monickettes, which is just one example of her brilliance). She's also a studied psychopath who thinks it's perfectly okay to beat people up, attack them with beakers of acid, and then later set them on fire. You're probably wondering where the adults are in this book, because that's what I was wondering, but Claire (stupidly) lies to her parents and her friends about her safety, over and over, and a code of non-interference is built into the rules of Morganville, which is run by vampires, so no adults are ever going to look out for her safety.
That's actually another thing I liked about GLASS HOUSES: Caine uses traditional vampire lore. Garlic and crosses repel vampires. They can't be out in the sunlight unless they're very old or very powerful. They can't cross your threshold unless they've been invited in. They kill to feed. Make no mistake, these are the evil kinds of vampires that your mom grew up with, and honestly, my personal favorite kind. The world building was something I had absolutely zero problems with, and I kept thinking to myself what a shame it was that the main character was so freaking stupid.
I just couldn't get on board with Claire. Her friends were okay, but their dialogue was very wooden and they didn't have much in the way of personality, either. Even though it's written in the third person, there's a lot of annoying asides that are supposed to be Claire's "voice" and it's very annoying - more so, because never once does she display that "intelligence" that got her accepted into all those good universities. What's wrong with writing a female character who's intelligent and cunning? Why does she have to be a vapid, spineless victim who does nothing but remind people that she's almost seventeen, cry, get herself almost murdered by at least three different people, and cry some more? And she's so dumb. This is a character who could be around the corner from the guy with a chainsaw, and be all, "How delightful. A swarm full of friendly, happy bees have come to bring me honey! :D"
I'm a little afraid to pick up the next book, but I bought books 1 & 2 bundled so now I feel obligated. Rachel Caine, I thought you could do no wrong. Your Weather Wardens series is awesome. :(
1 to 1.5 out of 5 stars
I think WW and MV are DRASTICALLY different in their audiences, and so with MV she went full-on for all the vamp tropes that were so in at the time for the YA audience. She's got a newer series out (The Great Library, first book INK AND BONE) that's very different from both but is much more like WW in quality. It has a great diverse cast, too. <3ReplyDelete
I'm on hold for Great Library right now! I'm so happy to hear that it's more like WW. Thank you for the helpful tip, Chelsea!Delete