I'm honestly shocked that this has such low ratings because it fulfilled the scandalous dark academia void left by Donna Tartt's SECRET HISTORY. It's a Rebecca retelling, set in a pretentious New England art gallery, with a naive ingenue who wants art that is beautiful and makes her feel things, and his horrified by the darker avant-garde tastes of her predecessor and the people she associated with.
ALENA is a decent retelling, I thought, as long as you give it proper leeway and don't expect it to be a cut and dry reenactment. I actually thought the commentary on art was even more interesting than the thriller elements. Pastan perfectly captures the snobberies of the artist, questioning when the metaphorical becomes nonsensical or just purely self-indulgent. So much of art is up to interpretation, and I thought this was a fascinating examination of the boundaries of art, and when and how beauty becomes ugliness (and vice-versa).
This is like a cross between THE SECRET HISTORY and Kathe Koja's SKIN. And since neither of those books are for everyone, I guess I can see why this book was panned by critics. The core message is ugly and it's not a particularly happy book, but the way it was told was beautiful, and I liked the unnamed narrator, too, and how desperately she wanted the world to be beautiful, and how sad she was to see her vision of her perfection shattered in the faces of the people whose respect she craved. Sometimes art is cruel.
5 out of 5 stars
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